An elucidating collection of ten original essays, Making Animal Meaning reconceptualizes methods for researching animal histories and rethinks the contingency of the human-animal relationship. The vibrant and diverse field of animal studies is detailed in these interdisciplinary discussions, which include voices from a broad range of scholars and have an extensive chronological and geographical reach. These exciting discourses capture the most compelling theoretical underpinnings of animal significance while exploring meaning-making through the study of specific spaces, species, and human-animal relations. A deeply thoughtful collection — vital to understanding central questions of agency, kinship, and animal consumption — these essays tackle the history and philosophy of constructing animal meaning.
ContentsIntroductionPart 1: Making New Animal MeaningsAnimal Writes: Historiography, Disciplinarity, and the Animal TraceMobility and the Making of Animal Meaning: The Kinetics of “Vermin” and “Wildlife” in Southern AfricaCannibalism, Consumption, and Kinship in Animal StudiesPart 2: Applying New Animal MeaningsThe Renaissance Transformation of Animal Meaning: From Petrarch to MontaigneOn the Trail of the Devil Cat: Hunting for the Jaguar in the United States and MexicoAnimal Deaths and the Written Record of History: The Politics of Pet ObituariesGolden Retrievers Are White, Pit Bulls Are Black, and Chihuahuas Are Hispanic: Representations of Breeds of Dog and Issues of Race in Popular CultureInterspecies Families, Freelance Dogs, and Personhood: Saved Lives and Being One at an Assistance Dog AgencyAnimal Meaning in T. S. Eliot’s Old Possum’s Book of Practical CatsAnimals at the End of the World: Notes toward a Transspecies EschatologyBibliographyContributorsIndex